A defining feature of Russia’s aerial terror during the week of 15–21 September 2025 was its deliberate targeting of rescuers, drone strikes on industrial facilities and civilian infrastructure, prolonged air‑raid alerts caused by UAV attacks, and massive nighttime bombardments. Among the wounded are civilians and children; among the dead is a rescuer. Russian attacks on border and frontline areas remain intense, with civilians killed every day.

“City of Good” is a nationwide project launched by philanthropist Marta Levchenko in 2016. Today, it is a large‑scale space that provides comprehensive support for women and children who find themselves in difficult life circumstances — for example, survivors of domestic violence, those at risk of homelessness, those who need help with socialization and reintegration, or families living below the poverty line. Since the beginning of Russia’s full‑scale invasion, the center has also been helping children who were forced to evacuate because of the war.

Ukrainian photographer Marysia Mianovska explains why her images have become more empathetic and sincere than before the war, and why personal stories can reveal the world’s global problems better than the daily documentation of events.

In early August, Russian airstrikes damaged the Ostriv Bridge — the only road bridge connecting the Korabel district, also known as Ostriv, with the mainland part of Kherson. After several attacks, the bridge survived but sustained significant destruction. An urgent evacuation of Ostriv’s residents began.

Vladyslav Krasnoshchok was born and lives in Kharkiv. Between 1997 and 2002, he studied at the Faculty of Dentistry and worked for more than ten years in an emergency hospital. Yet it was photography that became his way of seeing the world and speaking about it. Since 2010, he has been a member of the art group “Shylo,” known for its radical visual gestures. Krasnoshchok expands the tradition of Kharkiv photography, working with archives, hand‑coloring, collage, and sculptural objects. From the first days of Russia’s full‑scale invasion of Ukraine, he has been documenting the war, capturing its events on black‑and‑white film.