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«Пейзаж в клітинку». Краєвиди прифронтового Оріхова в об'єктиві Костянтина та Влади Ліберових
Після повномасштабного вторгнення російської армії в Україну панорама міст, розташованих поблизу лінії фронту, вже ніколи не буде, як колись. Це точка неповернення до минулого життя: люди гинуть, виїжджають, будівлі спалює ворожа зброя. Сталість війни перетворює українські міста на напрямки. Одне з таких міст — місто-герой Оріхів. Вже чотири роки Сили оборони України тримають фронт на цьому напрямку. Лінія бойового зіткнення досить розмита й динамічна, від неї до Оріхова приблизно 7–10 кілометрів згідно з даними DeepState. Видання «Укрінформ» повідомляє, що російські підрозділи отримали завдання, якомога ближче підійти до Оріхова та закріпитися на його околицях.
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«Пейзаж в клітинку». Краєвиди прифронтового Оріхова в об'єктиві Костянтина та Влади Ліберових
Після повномасштабного вторгнення російської армії в Україну панорама міст, розташованих поблизу лінії фронту, вже ніколи не буде, як колись. Це точка неповернення до минулого життя: люди гинуть, виїжджають, будівлі спалює ворожа зброя. Сталість війни перетворює українські міста на напрямки. Одне з таких міст — місто-герой Оріхів. Вже чотири роки Сили оборони України тримають фронт на цьому напрямку. Лінія бойового зіткнення досить розмита й динамічна, від неї до Оріхова приблизно 7–10 кілометрів згідно з даними DeepState. Видання «Укрінформ» повідомляє, що російські підрозділи отримали завдання, якомога ближче підійти до Оріхова та закріпитися на його околицях.
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Heavenly Photographers. Documentarians, naturalists and commercial photographers who were killed by the Russians in the war
Eternal memory of the brave and talented photographers who died documenting the Russian invasion, or defending their country with a machine gun in their hands instead of a camera.
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Обстріляні Дружківка та Харків. Які ще міста постраждали від російської агресії цього тижня
З початком весни продовжуються російські атаки на залізничну та портову інфраструктуру України. Були влучання у залізничні підстанції, вагони й мости, а також пошкоджено цивільне судно у порту на півдні Одещини. Ракети, дрони й авіабомби щодня накривали Дружківку, Слов'янськ, Краматорськ. Вночі 7 березня росіяни здійснили п'яту з початку року масовану атаку на енергообʼєкти України. Трагічною ця ніч стала для Харкова — попередньо російська ракета «Изделие-30» зруйнувала цілий під'їзд, вбивши 11 людей, зокрема двох дітей.
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Russian 'Fight for Peace' and Why It's Important to Know the Lessons of History
Russia has always engaged in deception by twisting and interpreting historical events. To explain the desire to seize foreign lands to a pro-Russian audience, Russia created a positive image of war—a "sacred" war with the noble goal of helping a "brotherly nation." At the same time, the enemy was always blamed for the war, as they allegedly forced Russia to fight.
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Breaking News
News
This week, Russia continued its missile and drone terror against Ukrainian cities. Hundreds of Shahed-type UAVs and dozens of tactical missiles were launched every day — from the well-known Iskander missiles to the latest Grom-1 models.
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This week, Russia continued its missile and drone terror against Ukrainian cities. Hundreds of Shahed-type UAVs and dozens of tactical missiles were launched every day — from the well-known Iskander missiles to the latest Grom-1 models.
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News Stories
8.5.2025
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How Russian propaganda tried to disrupt the Ukrainian Armed Forces' counteroffensive in Kharkiv in the spring of 2022 — photographic evidence from Ukrainian documentary filmmakers
Two months of full-scale war between Russia and Ukraine are behind us. The resistance shown by Kharkiv's defenders in the first days of the war showed the Russians that no one would surrender the city without a fight. Like Kyiv, the Russians planned to capture Kharkiv in three days. At least, this is what Russian prisoners have testified. Therefore, the enemy hoped to capture Kharkiv through information warfare and terror. Turning Kharkiv residents against the Armed Forces of Ukraine, forcing them to leave, and discrediting the city's defense and the struggle of the Ukrainian people as a whole were the goals that enemy propaganda sought to achieve in Kharkiv.
News Stories
8.5.2025
How Russian propaganda tried to disrupt the Ukrainian Armed Forces' counteroffensive in Kharkiv in the spring of 2022 — photographic evidence from Ukrainian documentary filmmakers
Two months of full-scale war between Russia and Ukraine are behind us. The resistance shown by Kharkiv's defenders in the first days of the war showed the Russians that no one would surrender the city without a fight. Like Kyiv, the Russians planned to capture Kharkiv in three days. At least, this is what Russian prisoners have testified. Therefore, the enemy hoped to capture Kharkiv through information warfare and terror. Turning Kharkiv residents against the Armed Forces of Ukraine, forcing them to leave, and discrediting the city's defense and the struggle of the Ukrainian people as a whole were the goals that enemy propaganda sought to achieve in Kharkiv.
Photo Stories
8.5.2025
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“Where the Road Leads”: a documentary project by Max Chorny
We continue to introduce you to the finalists of our annual Grant Program to Support Documentary Photographers — an initiative implemented by UAPP with the support of the International Press Institute. Today — the project “Where the road will lead” by Max Chorny. It is a journey through Ukraine without routes and reservations — only the road, road trips, casual acquaintances, conversations that you do not plan, and portraits of people that remain in the memory forever. This is not an event report. It is a personal observation of how the country feels in the middle, in dialogue, in silence, in fatigue, in believing words and unbelieving views. Max's stories are not a claim to objectivity, but an attempt to catch the living warmth between the lines of the news, where the real begins.
Photo Stories
8.5.2025
“Where the Road Leads”: a documentary project by Max Chorny
We continue to introduce you to the finalists of our annual Grant Program to Support Documentary Photographers — an initiative implemented by UAPP with the support of the International Press Institute. Today — the project “Where the road will lead” by Max Chorny. It is a journey through Ukraine without routes and reservations — only the road, road trips, casual acquaintances, conversations that you do not plan, and portraits of people that remain in the memory forever. This is not an event report. It is a personal observation of how the country feels in the middle, in dialogue, in silence, in fatigue, in believing words and unbelieving views. Max's stories are not a claim to objectivity, but an attempt to catch the living warmth between the lines of the news, where the real begins.
Photo Stories
6.5.2025
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“There is no justice, but it's nice to move towards it,” says photographer and sergeant of the 35th Separate Marine Brigade, Kostyantyn Guzenko.
Konstantin Guzenko is a photographer, media producer, member of the Ukrainner team and candidate for admission to UAPP. Today he serves in the 35th Separate Marine Brigade named after Rear Admiral Mikhail Ostrogradsky and serves as a pressofitzer. His pictures are of war without decoration: the view from the trench, from the rear of combat vehicles and from the dungeons where those who fight live.
Photo Stories
6.5.2025
“There is no justice, but it's nice to move towards it,” says photographer and sergeant of the 35th Separate Marine Brigade, Kostyantyn Guzenko.
Konstantin Guzenko is a photographer, media producer, member of the Ukrainner team and candidate for admission to UAPP. Today he serves in the 35th Separate Marine Brigade named after Rear Admiral Mikhail Ostrogradsky and serves as a pressofitzer. His pictures are of war without decoration: the view from the trench, from the rear of combat vehicles and from the dungeons where those who fight live.
News Stories
5.5.2025
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Cities in flames: a photo chronicle of the shelling of Kharkiv, Odesa, and Zaporizhzhia
Massive drone attacks, ballistic missiles, dozens of wounded and dead civilians — from April 28 to May 2, Russia attacked at least nine Ukrainian cities. Residential areas, hospitals, and schools were once again targeted. Explosions were heard in Kharkiv, Odesa, Kyiv, Zaporizhzhia, Dnipro, Cherkasy, Kherson, and frontline communities. Children were injured, dozens of people were wounded, and critical infrastructure was destroyed.
News Stories
5.5.2025
Cities in flames: a photo chronicle of the shelling of Kharkiv, Odesa, and Zaporizhzhia
Massive drone attacks, ballistic missiles, dozens of wounded and dead civilians — from April 28 to May 2, Russia attacked at least nine Ukrainian cities. Residential areas, hospitals, and schools were once again targeted. Explosions were heard in Kharkiv, Odesa, Kyiv, Zaporizhzhia, Dnipro, Cherkasy, Kherson, and frontline communities. Children were injured, dozens of people were wounded, and critical infrastructure was destroyed.
Photo Stories
30.4.2025
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10 photos of April
This April, despite the Easter holidays, the Russian army shelled Ukrainian cities, killing people, while Ukrainian photographers documented this horrific reality on a daily basis. The Ukrainian Association of Professional Photographers and Ukraїner present a joint monthly selection:
Photo Stories
30.4.2025
10 photos of April
This April, despite the Easter holidays, the Russian army shelled Ukrainian cities, killing people, while Ukrainian photographers documented this horrific reality on a daily basis. The Ukrainian Association of Professional Photographers and Ukraїner present a joint monthly selection:
Photo Stories
29.4.2025
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Between the frame and presence: Lisa Bukreeva's photographs of war
Єлизавета Букреєва розповіла про пошук хороших моментів під час складних зйомок, про право на красиві кадри під час документування війни та чому іноді присутність фотографа важливіша за фотографії, які він зробить.
Photo Stories
29.4.2025
Between the frame and presence: Lisa Bukreeva's photographs of war
Єлизавета Букреєва розповіла про пошук хороших моментів під час складних зйомок, про право на красиві кадри під час документування війни та чому іноді присутність фотографа важливіша за фотографії, які він зробить.

Photo Stories

У цьому розділі зібрані кращі кадри місяця, інтерв'ю з фотографами та великі візуальні матеріали. Відкрийте для себе цікаві історії та події через об'єктив наших талановитих авторів.

Photo Stories
12.3.2026
«Thermal Objects» — документальний проєкт Марисі М’яновської
Photo Stories
10.3.2026
Бажання жити вдома. Фотокнига «Тут зводять будинки з попелу» Лізи Букреєвої
Photo Stories
4.3.2026
«Природа “300”»: документальний проєкт Андрія Касянчука
Photo Stories
1.3.2026
10 фото лютого
Photo Stories
23.2.2026
Без фінальної крапки. Фотокнига «Documentation of the War» Владислава Краснощока
Photo Stories
11.2.2026
Адріана Довга: «Бути фотографкою під час війни — це покликання та обов’язок, а з іншого боку, це виклик і вразливість»

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UAPP represents Ukrainian professional photography in the international photographic community and is an official member of the Federation of European Photographers (FEP) — an international organization representing more than 50,000 professional photographers in Europe and other countries around the world.

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