The film “2000 Meters to Andriivka” by director and founder of the Ukrainian Association of Professional Photographers Mstislav Chernov will be shown at the opening ceremony of the 78th Cannes Film Festival on Tuesday, May 13. The film will be part of the “Day of Ukraine” program dedicated to the Russian-Ukrainian war. The program is organized by the festival in collaboration with France Télévisions and Brut.

During the year Nikolaev photographer Sergey Melnichenko worked on a large-scale documentary project “Under the Dnieper”, implemented with the support of the German Alexander Tutsek-Stiftung Foundation. Traveling through cities along the Dnieper — from Kherson to Kiev — he gathered more than 50 testimonies of Ukrainians who experienced various experiences during the full-scale Russian invasion: from victims of sexual violence in the occupation, people who live daily under shelling, volunteers and rescuers soldiers, to soldiers who returned from captivity. The project combines a photobook, a documentary film and a photo project, creating an in-depth chronicle of the country's life during the war.

While the world community cherishes illusions about Russian pacification, the Russian army intensifies attacks on Ukrainian cities. With the start of negotiations in which the United States brought Russia back into dialogue, the Kremlin is using this opportunity to spread its “truth” about the war.

Two months of full-scale war between Russia and Ukraine are behind us. The resistance shown by Kharkiv's defenders in the first days of the war showed the Russians that no one would surrender the city without a fight. Like Kyiv, the Russians planned to capture Kharkiv in three days. At least, this is what Russian prisoners have testified. Therefore, the enemy hoped to capture Kharkiv through information warfare and terror. Turning Kharkiv residents against the Armed Forces of Ukraine, forcing them to leave, and discrediting the city's defense and the struggle of the Ukrainian people as a whole were the goals that enemy propaganda sought to achieve in Kharkiv.

We continue to introduce you to the finalists of our annual Grant Program to Support Documentary Photographers — an initiative implemented by UAPP with the support of the International Press Institute. Today — the project “Where the road will lead” by Max Chorny. It is a journey through Ukraine without routes and reservations — only the road, road trips, casual acquaintances, conversations that you do not plan, and portraits of people that remain in the memory forever. This is not an event report. It is a personal observation of how the country feels in the middle, in dialogue, in silence, in fatigue, in believing words and unbelieving views. Max's stories are not a claim to objectivity, but an attempt to catch the living warmth between the lines of the news, where the real begins.

Konstantin Guzenko is a photographer, media producer, member of the Ukrainner team and candidate for admission to UAPP. Today he serves in the 35th Separate Marine Brigade named after Rear Admiral Mikhail Ostrogradsky and serves as a pressofitzer. His pictures are of war without decoration: the view from the trench, from the rear of combat vehicles and from the dungeons where those who fight live.