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34 poles of creativity: copyright in photography
The Ukrainian Association of Professional Photographers, together with legal experts from the Ukrainian National Office for Intellectual Property and Innovations (UAPI/IP Office), has initiated the development of a suite of standard contract templates for photographers to use in their daily work. This package of documents will include licensing agreements, agreements on the assignment of economic rights, as well as agreements on the payment of royalties and author's remuneration. It is essential to adapt these templates to various fields of photography, as each niche has its own unique needs and operational specifics that must be addressed from a legal perspective. In addition, practical guidelines are planned to assist photographers in navigating any potential copyright disputes or challenges.
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34 poles of creativity: copyright in photography
The Ukrainian Association of Professional Photographers, together with legal experts from the Ukrainian National Office for Intellectual Property and Innovations (UAPI/IP Office), has initiated the development of a suite of standard contract templates for photographers to use in their daily work. This package of documents will include licensing agreements, agreements on the assignment of economic rights, as well as agreements on the payment of royalties and author's remuneration. It is essential to adapt these templates to various fields of photography, as each niche has its own unique needs and operational specifics that must be addressed from a legal perspective. In addition, practical guidelines are planned to assist photographers in navigating any potential copyright disputes or challenges.
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Shopping Malls, TV Channel HQ, Passenger Trains: Russia's Targeted Strikes on Civilians
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Photopublishing as a holistic statement. At the Lviv BookForum, the “Photobooks” cluster will be presented for the first time
Photobooks and photo albums have long remained a niche and somewhat understated segment of Ukrainian publishing. Today, however, amidst full-scale war, visual documentation is becoming one of the most powerful tools for preserving cultural memory, making sense of the wartime experience, and capturing our identity.
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Daily terror against civilians: consequences of strikes on Kyiv, Boryspil, Odesa, and Kramatorsk
The beginning of the school year in Ukraine turned into a week of exhausting and brutal attacks. The most massive shelling targeted the Kyiv region, Odesa region, and frontline communities of Donetsk. This week among the affected sites in the capital: a railway depot, a higher education institution, and the Security Service of Ukraine building; UNESCO World Heritage sites also suffered damage. During the strikes, specialists from emergency and municipal services, as well as workers from the metallurgical sector, were killed: a State Emergency Service rescuer, two police officers, a utility worker, six railway workers, and five metallurgists. Units of the State Emergency Service and Air Defense Forces worked continuously under heavy smoke and constant risk of repeated strikes.
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Breaking News
News
This week, Russia continued its missile and drone terror against Ukrainian cities. Hundreds of Shahed-type UAVs and dozens of tactical missiles were launched every day — from the well-known Iskander missiles to the latest Grom-1 models.
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This week, Russia continued its missile and drone terror against Ukrainian cities. Hundreds of Shahed-type UAVs and dozens of tactical missiles were launched every day — from the well-known Iskander missiles to the latest Grom-1 models.
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Photo Stories
2.7.2025
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“All sorts of drug addicts grabbed automatic weapons and took up positions at checkpoints.” Anatolii Stepanov's archive on the “Russian Spring” in Donbas
Spring 2014. Ukraine has not yet recovered from the deaths on the Maidan and the annexation of Crimea, as Russia has already swung its south and east. In April, she provoked Kharkiv, Odessa, Donetsk and Luhansk regions. This is how the war began, which continues today — in 2025. War without declaration, but already with weapons in hand. Russia boldly and openly entered the Donbas — under the guise of “referendums”, “people's republics” and “militias”. In some cities, she was repulsed — Kharkiv and Odessa survived. Others were unable to contain the invasion. Donetsk and part of the region were captured. Documentary photographer Anatoly Stepanov was at the center of events. He saw with his own eyes how the scenario of a hybrid invasion unfolded: rallies, seizure of administrative buildings, the appearance of armed “volunteers” from Russia, the first killed. In April 2014, he filmed the funeral of a pro-Ukrainian deputy in Horlivka, stood near the captured district department in Slavyansk, recorded the resistance in Donetsk, Mariupol and the aftermath of the tragedy in Odessa on the morning of May 3 near the burned Trade Union House.
Photo Stories
2.7.2025
“All sorts of drug addicts grabbed automatic weapons and took up positions at checkpoints.” Anatolii Stepanov's archive on the “Russian Spring” in Donbas
Spring 2014. Ukraine has not yet recovered from the deaths on the Maidan and the annexation of Crimea, as Russia has already swung its south and east. In April, she provoked Kharkiv, Odessa, Donetsk and Luhansk regions. This is how the war began, which continues today — in 2025. War without declaration, but already with weapons in hand. Russia boldly and openly entered the Donbas — under the guise of “referendums”, “people's republics” and “militias”. In some cities, she was repulsed — Kharkiv and Odessa survived. Others were unable to contain the invasion. Donetsk and part of the region were captured. Documentary photographer Anatoly Stepanov was at the center of events. He saw with his own eyes how the scenario of a hybrid invasion unfolded: rallies, seizure of administrative buildings, the appearance of armed “volunteers” from Russia, the first killed. In April 2014, he filmed the funeral of a pro-Ukrainian deputy in Horlivka, stood near the captured district department in Slavyansk, recorded the resistance in Donetsk, Mariupol and the aftermath of the tragedy in Odessa on the morning of May 3 near the burned Trade Union House.
News Stories
2.7.2025
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The Frame’s Edge by Anatolii Stepanov: how to photograph war and not disappear in it
News Stories
2.7.2025
The Frame’s Edge by Anatolii Stepanov: how to photograph war and not disappear in it
Photo Stories
1.7.2025
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10 photos of June
UAPP in partnership with Kyiv Independent continues its monthly column — a selection of key photographs that most accurately convey the events, mood and challenges of the next month of full-scale war.
Photo Stories
1.7.2025
10 photos of June
UAPP in partnership with Kyiv Independent continues its monthly column — a selection of key photographs that most accurately convey the events, mood and challenges of the next month of full-scale war.
Photo Stories
28.6.2025
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Olga Ivashchenko: “For me, the main thing is not to lose my humanity and attentiveness to people.”
Ukrainian photographer Olga Ivashchenko explained why she spends much more time with people than is necessary for high-quality photography, and why photos from the war have deeper meanings than meets the eye.
Photo Stories
28.6.2025
Olga Ivashchenko: “For me, the main thing is not to lose my humanity and attentiveness to people.”
Ukrainian photographer Olga Ivashchenko explained why she spends much more time with people than is necessary for high-quality photography, and why photos from the war have deeper meanings than meets the eye.
News Stories
28.6.2025
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Hellish summer nights: from June 23 to 29, Russia attacked Kyiv, Dnipro, Odesa, and other cities.
This week, Russia continued its missile and drone terror against Ukrainian cities. Hundreds of Shahed-type UAVs and dozens of tactical missiles were launched every day — from the well-known Iskanders to the latest Grom-1 models. The targets of the attacks were not military facilities, but residential areas, hospitals, schools, metro stations, train stations, and even passenger trains. Between June 23 and 28 alone, dozens of people were killed and hundreds wounded, including children. The most massive strikes hit Kyiv, Dnipro, and Odesa. These events once again refute any false claims by the Kremlin about “precision strikes.” In reality, the goal remains the same — to intimidate, destroy, and leave Ukrainian cities deserted.
News Stories
28.6.2025
Hellish summer nights: from June 23 to 29, Russia attacked Kyiv, Dnipro, Odesa, and other cities.
This week, Russia continued its missile and drone terror against Ukrainian cities. Hundreds of Shahed-type UAVs and dozens of tactical missiles were launched every day — from the well-known Iskanders to the latest Grom-1 models. The targets of the attacks were not military facilities, but residential areas, hospitals, schools, metro stations, train stations, and even passenger trains. Between June 23 and 28 alone, dozens of people were killed and hundreds wounded, including children. The most massive strikes hit Kyiv, Dnipro, and Odesa. These events once again refute any false claims by the Kremlin about “precision strikes.” In reality, the goal remains the same — to intimidate, destroy, and leave Ukrainian cities deserted.
News Stories
26.6.2025
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From Mariupol 2014 to Mariupol 2022 — Azov in the lens of Russian propaganda
The return of servicemen from Russian captivity is a positive event, which the Ukrainian and Russian delegations were able to agree on at the talks. However, not a single defender from “Azov” was given by Russia. The Kremlin continues to hold Azov prisoners as their prey. The Kremlin is trying in every possible way to break Ukrainian resistance, because the topic of the return of captured Azov is a powerful lever for manipulating emotions, a painful topic. Because they are the ones who have been waiting for a very long time in Ukrainian families.
News Stories
26.6.2025
From Mariupol 2014 to Mariupol 2022 — Azov in the lens of Russian propaganda
The return of servicemen from Russian captivity is a positive event, which the Ukrainian and Russian delegations were able to agree on at the talks. However, not a single defender from “Azov” was given by Russia. The Kremlin continues to hold Azov prisoners as their prey. The Kremlin is trying in every possible way to break Ukrainian resistance, because the topic of the return of captured Azov is a powerful lever for manipulating emotions, a painful topic. Because they are the ones who have been waiting for a very long time in Ukrainian families.

Photo Stories

This section features the best images of the month, interviews with photographers, and in-depth visual stories. Discover compelling narratives and events through the lens of our talented authors.

Photo Stories
3.8.2025
What happened to us before we played war?
Photo Stories
31.7.2025
10 photos of July
Photo Stories
13.7.2025
Photo with history: without a staff war artist
Photo Stories
10.7.2025
Photos by Oleg Pereverzev framed in a square
Photo Stories
8.7.2025
“Photographs should not be trusted, but the world has not yet come up with anything more believable,” says photographer and lieutenant of the 33rd Separate Mechanized Brigade Vladimir Petrov.
Photo Stories
4.7.2025
“Whoever controls Zmiinyi Island controls the sea.” On the anniversary of the island's liberation, the UAPP publishes photos by Vitalii Yurasov.

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