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Tragic consequences of Russian attacks during Holy Week
On the eve of Easter, Russian forces deliberately struck peaceful towns and villages. The enemy targeted energy infrastructure, administrative buildings during working hours, crowded markets, public transport, cultural and historical landmarks, and the homes of ordinary Ukrainians. Odesa, Nikopol, and Kramatorsk were in mourning for the dead. In Nikopol — a city of about 40,000 residents — more than 100 people have been killed or injured since the beginning of April, according to Ukrainska Pravda. Life. Civilian casualties are also high in Kherson, which remains under constant threat from shelling and remote mining.The scale of destruction to residential areas is captured in photo reports from Odesa, Kharkiv, Sumy, Kherson, and Kramatorsk.
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Tragic consequences of Russian attacks during Holy Week
On the eve of Easter, Russian forces deliberately struck peaceful towns and villages. The enemy targeted energy infrastructure, administrative buildings during working hours, crowded markets, public transport, cultural and historical landmarks, and the homes of ordinary Ukrainians. Odesa, Nikopol, and Kramatorsk were in mourning for the dead. In Nikopol — a city of about 40,000 residents — more than 100 people have been killed or injured since the beginning of April, according to Ukrainska Pravda. Life. Civilian casualties are also high in Kherson, which remains under constant threat from shelling and remote mining.The scale of destruction to residential areas is captured in photo reports from Odesa, Kharkiv, Sumy, Kherson, and Kramatorsk.
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Four years since the terrorist attack at the Kramatorsk railway station
In memory of the victims — and in the name of justice — we recall how Ukrainian and international documentarians, along with human rights organizations, disproved Russian disinformation about the missile strike on the Kramatorsk railway station on April 8, 2022. On that day, a Russian missile armed with cluster munitions turned a crowded train station into a battlefield, cutting short the lives of people who were trying to flee the war.
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Daytime mass attacks, deadly strikes, and new safety measures on the railway: what the beginning of April will be remembered for in Ukraine
Russia is increasingly choosing daytime hours for its massive strikes, expanding the zone of destruction across Ukraine. The beginning of April will be remembered for devastating attacks on Lutsk, Poltava, and Zhytomyr region; Kharkiv endured several consecutive days under fire, and there were strikes on Odesa, Sumy, and Chernihiv. Over the weekend, the Russian army carried out a deadly attack on a market in Nikopol, and the day before, drones and missiles targeted Kyiv region. Every day, Donetsk and Sumy regions face bombings and drone raids. Drones and artillery continue to hit Kherson, while the enemy scatters antipersonnel mines throughout the city. Among the targets of Russian attacks this week were: a veterinary clinic with animals inside, food warehouses, a Nova Poshta terminal, and the only maternity hospital in Donetsk region. Due to constant aerial threats, railway routes experienced delays and passenger evacuations from trains.
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When the photograph doesn’t lie: how context, staging, editing, and AI reshape the truth about war
For International Fact‑Checking Day — on why manipulation in photography begins not only with the choice of frame, but also with the substitution of its meaning.
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Breaking News
News
This week, Russia continued its missile and drone terror against Ukrainian cities. Hundreds of Shahed-type UAVs and dozens of tactical missiles were launched every day — from the well-known Iskander missiles to the latest Grom-1 models.
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This week, Russia continued its missile and drone terror against Ukrainian cities. Hundreds of Shahed-type UAVs and dozens of tactical missiles were launched every day — from the well-known Iskander missiles to the latest Grom-1 models.
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UAPP Projects
4.6.2024
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Photography as a tool for manipulation
The Ukrainian Association of Professional Photographers (UAPP) and Chekachkov Photo Academy presented a series of lectures by Mstislav Chernov: Photography as a tool of manipulation. Manipulation in the media is possible even without pressure from censors. The flow of images is everywhere, it determines trends and tastes, influences changes in political regimes. The media constructs reality and is capable of determining the course of history.
UAPP Projects
4.6.2024
Photography as a tool for manipulation
The Ukrainian Association of Professional Photographers (UAPP) and Chekachkov Photo Academy presented a series of lectures by Mstislav Chernov: Photography as a tool of manipulation. Manipulation in the media is possible even without pressure from censors. The flow of images is everywhere, it determines trends and tastes, influences changes in political regimes. The media constructs reality and is capable of determining the course of history.
News Stories
4.6.2024
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More than 100 Ukrainian and foreign journalists have been held in Russian captivity since 2014, — IMI
On Journalist’s Day, the Ukrainian Association of Professional Photographers honors the memory of all media workers who have been killed in the Russian‑Ukrainian war, and also remembers colleagues who are being held illegally in enemy captivity.
News Stories
4.6.2024
More than 100 Ukrainian and foreign journalists have been held in Russian captivity since 2014, — IMI
On Journalist’s Day, the Ukrainian Association of Professional Photographers honors the memory of all media workers who have been killed in the Russian‑Ukrainian war, and also remembers colleagues who are being held illegally in enemy captivity.
News Stories
29.5.2024
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The love for black‑and‑white film photography of Kharkiv photographer Vladyslav Krasnoshchok
To shoot, develop, print, and scan — this is the full journey that the film photographs of Kharkiv artist, photographer, and doctor Vladyslav Krasnoshchok go through. He documents the Russian‑Ukrainian war, its consequences, its tragedies, and its heroes on black‑and‑white film. We speak with Vladyslav about these images, their meaning, and his approach to work.
News Stories
29.5.2024
The love for black‑and‑white film photography of Kharkiv photographer Vladyslav Krasnoshchok
To shoot, develop, print, and scan — this is the full journey that the film photographs of Kharkiv artist, photographer, and doctor Vladyslav Krasnoshchok go through. He documents the Russian‑Ukrainian war, its consequences, its tragedies, and its heroes on black‑and‑white film. We speak with Vladyslav about these images, their meaning, and his approach to work.
Photo Stories
28.5.2024
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Freedom is an endeavor. A conversation with Alexander Glyadelov
Today's guest was Oleksandr Gladylov, a Ukrainian documentary photographer, photojournalist who covered the war conflicts in Moldova, Nagorno-Karabakh, Chechnya, Kyrgyzstan, Somalia, South Sudan and Ukraine.
Photo Stories
28.5.2024
Freedom is an endeavor. A conversation with Alexander Glyadelov
Today's guest was Oleksandr Gladylov, a Ukrainian documentary photographer, photojournalist who covered the war conflicts in Moldova, Nagorno-Karabakh, Chechnya, Kyrgyzstan, Somalia, South Sudan and Ukraine.
News Stories
25.5.2024
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The epicenter of tragedy and pain in Kharkiv after enemy air‑dropped bombs hit the hypermarket — as seen through the lenses of documentary photographers
A massive fire, a column of black smoke rising above the city, and the bodies of killed Kharkiv residents lying in the parking lot — these are the consequences of yet another Russian crime against civilians. Today, 25 May, at 16:02, Russian forces struck the “Epicentr” hypermarket in Kharkiv with aerial bombs. The number of dead and wounded is increasing by the hour.
News Stories
25.5.2024
The epicenter of tragedy and pain in Kharkiv after enemy air‑dropped bombs hit the hypermarket — as seen through the lenses of documentary photographers
A massive fire, a column of black smoke rising above the city, and the bodies of killed Kharkiv residents lying in the parking lot — these are the consequences of yet another Russian crime against civilians. Today, 25 May, at 16:02, Russian forces struck the “Epicentr” hypermarket in Kharkiv with aerial bombs. The number of dead and wounded is increasing by the hour.
News Stories
23.5.2024
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Bodies of the dead among burned books. The aftermath of the Russian strike on a printing house in Kharkiv in the photographs of Oleksandr Mahula
On 23 May 2024, Russian forces carried out ten strikes on Kharkiv. Powerful explosions were heard across the city. Today, the enemy targeted a printing house and transport infrastructure. According to preliminary information, the attack was carried out with S‑300 missiles. Impacts were recorded in the Kholodnohirskyi and Osnovianskyi districts.
News Stories
23.5.2024
Bodies of the dead among burned books. The aftermath of the Russian strike on a printing house in Kharkiv in the photographs of Oleksandr Mahula
On 23 May 2024, Russian forces carried out ten strikes on Kharkiv. Powerful explosions were heard across the city. Today, the enemy targeted a printing house and transport infrastructure. According to preliminary information, the attack was carried out with S‑300 missiles. Impacts were recorded in the Kholodnohirskyi and Osnovianskyi districts.

Photo Stories

This section features the best images of the month, interviews with photographers, and in-depth visual stories. Discover compelling narratives and events through the lens of our talented authors.

Photo Stories
17.4.2026
The art of war and routine. Dmytro Kupriian’s photobook about the everyday life of soldiers
Photo Stories
15.4.2026
“Not Alone” — a documentary project by Dasha Tenditna
Photo Stories
7.4.2026
“Untitled for now” — a documentary project by Khrystyna Voitkiv
Photo Stories
1.4.2026
10 photos of March
Photo Stories
31.3.2026
“Carrying the Light” — a documentary photo project by Taras Fedorenko
Photo Stories
30.3.2026
Iryna Kabysh: “My love for the nature of light helps me work, because photons either move or do not exist”

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