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«Пейзаж в клітинку». Краєвиди прифронтового Оріхова в об'єктиві Костянтина та Влади Ліберових
Після повномасштабного вторгнення російської армії в Україну панорама міст, розташованих поблизу лінії фронту, вже ніколи не буде, як колись. Це точка неповернення до минулого життя: люди гинуть, виїжджають, будівлі спалює ворожа зброя. Сталість війни перетворює українські міста на напрямки. Одне з таких міст — місто-герой Оріхів. Вже чотири роки Сили оборони України тримають фронт на цьому напрямку. Лінія бойового зіткнення досить розмита й динамічна, від неї до Оріхова приблизно 7–10 кілометрів згідно з даними DeepState. Видання «Укрінформ» повідомляє, що російські підрозділи отримали завдання, якомога ближче підійти до Оріхова та закріпитися на його околицях.
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«Пейзаж в клітинку». Краєвиди прифронтового Оріхова в об'єктиві Костянтина та Влади Ліберових
Після повномасштабного вторгнення російської армії в Україну панорама міст, розташованих поблизу лінії фронту, вже ніколи не буде, як колись. Це точка неповернення до минулого життя: люди гинуть, виїжджають, будівлі спалює ворожа зброя. Сталість війни перетворює українські міста на напрямки. Одне з таких міст — місто-герой Оріхів. Вже чотири роки Сили оборони України тримають фронт на цьому напрямку. Лінія бойового зіткнення досить розмита й динамічна, від неї до Оріхова приблизно 7–10 кілометрів згідно з даними DeepState. Видання «Укрінформ» повідомляє, що російські підрозділи отримали завдання, якомога ближче підійти до Оріхова та закріпитися на його околицях.
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Heavenly Photographers. Documentarians, naturalists and commercial photographers who were killed by the Russians in the war
Eternal memory of the brave and talented photographers who died documenting the Russian invasion, or defending their country with a machine gun in their hands instead of a camera.
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Обстріляні Дружківка та Харків. Які ще міста постраждали від російської агресії цього тижня
З початком весни продовжуються російські атаки на залізничну та портову інфраструктуру України. Були влучання у залізничні підстанції, вагони й мости, а також пошкоджено цивільне судно у порту на півдні Одещини. Ракети, дрони й авіабомби щодня накривали Дружківку, Слов'янськ, Краматорськ. Вночі 7 березня росіяни здійснили п'яту з початку року масовану атаку на енергообʼєкти України. Трагічною ця ніч стала для Харкова — попередньо російська ракета «Изделие-30» зруйнувала цілий під'їзд, вбивши 11 людей, зокрема двох дітей.
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Russian 'Fight for Peace' and Why It's Important to Know the Lessons of History
Russia has always engaged in deception by twisting and interpreting historical events. To explain the desire to seize foreign lands to a pro-Russian audience, Russia created a positive image of war—a "sacred" war with the noble goal of helping a "brotherly nation." At the same time, the enemy was always blamed for the war, as they allegedly forced Russia to fight.
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Breaking News
News
This week, Russia continued its missile and drone terror against Ukrainian cities. Hundreds of Shahed-type UAVs and dozens of tactical missiles were launched every day — from the well-known Iskander missiles to the latest Grom-1 models.
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This week, Russia continued its missile and drone terror against Ukrainian cities. Hundreds of Shahed-type UAVs and dozens of tactical missiles were launched every day — from the well-known Iskander missiles to the latest Grom-1 models.
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Photo Stories
4.7.2025
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“Whoever controls Zmiinyi Island controls the sea.” On the anniversary of the island's liberation, the UAPP publishes photos by Vitalii Yurasov.
On July 4, 2022, the Ukrainian military installed the state flag on Zmiiny. This was the final stage of a complex operation to liberate the island by Ukrainian forces. On June 30, the Russian garrison left Zmiiny under the pressure of Ukrainian attacks.
Photo Stories
4.7.2025
“Whoever controls Zmiinyi Island controls the sea.” On the anniversary of the island's liberation, the UAPP publishes photos by Vitalii Yurasov.
On July 4, 2022, the Ukrainian military installed the state flag on Zmiiny. This was the final stage of a complex operation to liberate the island by Ukrainian forces. On June 30, the Russian garrison left Zmiiny under the pressure of Ukrainian attacks.
Photo Stories
2.7.2025
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“All sorts of drug addicts grabbed automatic weapons and took up positions at checkpoints.” Anatolii Stepanov's archive on the “Russian Spring” in Donbas
Spring 2014. Ukraine has not yet recovered from the deaths on the Maidan and the annexation of Crimea, as Russia has already swung its south and east. In April, she provoked Kharkiv, Odessa, Donetsk and Luhansk regions. This is how the war began, which continues today — in 2025. War without declaration, but already with weapons in hand. Russia boldly and openly entered the Donbas — under the guise of “referendums”, “people's republics” and “militias”. In some cities, she was repulsed — Kharkiv and Odessa survived. Others were unable to contain the invasion. Donetsk and part of the region were captured. Documentary photographer Anatoly Stepanov was at the center of events. He saw with his own eyes how the scenario of a hybrid invasion unfolded: rallies, seizure of administrative buildings, the appearance of armed “volunteers” from Russia, the first killed. In April 2014, he filmed the funeral of a pro-Ukrainian deputy in Horlivka, stood near the captured district department in Slavyansk, recorded the resistance in Donetsk, Mariupol and the aftermath of the tragedy in Odessa on the morning of May 3 near the burned Trade Union House.
Photo Stories
2.7.2025
“All sorts of drug addicts grabbed automatic weapons and took up positions at checkpoints.” Anatolii Stepanov's archive on the “Russian Spring” in Donbas
Spring 2014. Ukraine has not yet recovered from the deaths on the Maidan and the annexation of Crimea, as Russia has already swung its south and east. In April, she provoked Kharkiv, Odessa, Donetsk and Luhansk regions. This is how the war began, which continues today — in 2025. War without declaration, but already with weapons in hand. Russia boldly and openly entered the Donbas — under the guise of “referendums”, “people's republics” and “militias”. In some cities, she was repulsed — Kharkiv and Odessa survived. Others were unable to contain the invasion. Donetsk and part of the region were captured. Documentary photographer Anatoly Stepanov was at the center of events. He saw with his own eyes how the scenario of a hybrid invasion unfolded: rallies, seizure of administrative buildings, the appearance of armed “volunteers” from Russia, the first killed. In April 2014, he filmed the funeral of a pro-Ukrainian deputy in Horlivka, stood near the captured district department in Slavyansk, recorded the resistance in Donetsk, Mariupol and the aftermath of the tragedy in Odessa on the morning of May 3 near the burned Trade Union House.
News Stories
2.7.2025
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Межа кадру Анатолія Степанова: як знімати війну і не зникнути в ній
News Stories
2.7.2025
Межа кадру Анатолія Степанова: як знімати війну і не зникнути в ній
Photo Stories
1.7.2025
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10 photos of June
UAPP in partnership with Kyiv Independent continues its monthly column — a selection of key photographs that most accurately convey the events, mood and challenges of the next month of full-scale war.
Photo Stories
1.7.2025
10 photos of June
UAPP in partnership with Kyiv Independent continues its monthly column — a selection of key photographs that most accurately convey the events, mood and challenges of the next month of full-scale war.
Photo Stories
28.6.2025
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Olga Ivashchenko: “For me, the main thing is not to lose my humanity and attentiveness to people.”
Ukrainian photographer Olga Ivashchenko explained why she spends much more time with people than is necessary for high-quality photography, and why photos from the war have deeper meanings than meets the eye.
Photo Stories
28.6.2025
Olga Ivashchenko: “For me, the main thing is not to lose my humanity and attentiveness to people.”
Ukrainian photographer Olga Ivashchenko explained why she spends much more time with people than is necessary for high-quality photography, and why photos from the war have deeper meanings than meets the eye.
News Stories
28.6.2025
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Hellish summer nights: from June 23 to 29, Russia attacked Kyiv, Dnipro, Odesa, and other cities.
This week, Russia continued its missile and drone terror against Ukrainian cities. Hundreds of Shahed-type UAVs and dozens of tactical missiles were launched every day — from the well-known Iskanders to the latest Grom-1 models. The targets of the attacks were not military facilities, but residential areas, hospitals, schools, metro stations, train stations, and even passenger trains. Between June 23 and 28 alone, dozens of people were killed and hundreds wounded, including children. The most massive strikes hit Kyiv, Dnipro, and Odesa. These events once again refute any false claims by the Kremlin about “precision strikes.” In reality, the goal remains the same — to intimidate, destroy, and leave Ukrainian cities deserted.
News Stories
28.6.2025
Hellish summer nights: from June 23 to 29, Russia attacked Kyiv, Dnipro, Odesa, and other cities.
This week, Russia continued its missile and drone terror against Ukrainian cities. Hundreds of Shahed-type UAVs and dozens of tactical missiles were launched every day — from the well-known Iskanders to the latest Grom-1 models. The targets of the attacks were not military facilities, but residential areas, hospitals, schools, metro stations, train stations, and even passenger trains. Between June 23 and 28 alone, dozens of people were killed and hundreds wounded, including children. The most massive strikes hit Kyiv, Dnipro, and Odesa. These events once again refute any false claims by the Kremlin about “precision strikes.” In reality, the goal remains the same — to intimidate, destroy, and leave Ukrainian cities deserted.

Photo Stories

У цьому розділі зібрані кращі кадри місяця, інтерв'ю з фотографами та великі візуальні матеріали. Відкрийте для себе цікаві історії та події через об'єктив наших талановитих авторів.

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«Природа “300”»: документальний проєкт Андрія Касянчука
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1.3.2026
10 фото лютого
Photo Stories
23.2.2026
Без фінальної крапки. Фотокнига «Documentation of the War» Владислава Краснощока
Photo Stories
11.2.2026
Адріана Довга: «Бути фотографкою під час війни — це покликання та обов’язок, а з іншого боку, це виклик і вразливість»

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