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34 poles of creativity: copyright in photography
The Ukrainian Association of Professional Photographers, together with legal experts from the Ukrainian National Office for Intellectual Property and Innovations (UAPI/IP Office), has initiated the development of a suite of standard contract templates for photographers to use in their daily work. This package of documents will include licensing agreements, agreements on the assignment of economic rights, as well as agreements on the payment of royalties and author's remuneration. It is essential to adapt these templates to various fields of photography, as each niche has its own unique needs and operational specifics that must be addressed from a legal perspective. In addition, practical guidelines are planned to assist photographers in navigating any potential copyright disputes or challenges.
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34 poles of creativity: copyright in photography
The Ukrainian Association of Professional Photographers, together with legal experts from the Ukrainian National Office for Intellectual Property and Innovations (UAPI/IP Office), has initiated the development of a suite of standard contract templates for photographers to use in their daily work. This package of documents will include licensing agreements, agreements on the assignment of economic rights, as well as agreements on the payment of royalties and author's remuneration. It is essential to adapt these templates to various fields of photography, as each niche has its own unique needs and operational specifics that must be addressed from a legal perspective. In addition, practical guidelines are planned to assist photographers in navigating any potential copyright disputes or challenges.
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Shopping Malls, TV Channel HQ, Passenger Trains: Russia's Targeted Strikes on Civilians
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Photopublishing as a holistic statement. At the Lviv BookForum, the “Photobooks” cluster will be presented for the first time
Photobooks and photo albums have long remained a niche and somewhat understated segment of Ukrainian publishing. Today, however, amidst full-scale war, visual documentation is becoming one of the most powerful tools for preserving cultural memory, making sense of the wartime experience, and capturing our identity.
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Daily terror against civilians: consequences of strikes on Kyiv, Boryspil, Odesa, and Kramatorsk
The beginning of the school year in Ukraine turned into a week of exhausting and brutal attacks. The most massive shelling targeted the Kyiv region, Odesa region, and frontline communities of Donetsk. This week among the affected sites in the capital: a railway depot, a higher education institution, and the Security Service of Ukraine building; UNESCO World Heritage sites also suffered damage. During the strikes, specialists from emergency and municipal services, as well as workers from the metallurgical sector, were killed: a State Emergency Service rescuer, two police officers, a utility worker, six railway workers, and five metallurgists. Units of the State Emergency Service and Air Defense Forces worked continuously under heavy smoke and constant risk of repeated strikes.
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Breaking News
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This week, Russia continued its missile and drone terror against Ukrainian cities. Hundreds of Shahed-type UAVs and dozens of tactical missiles were launched every day — from the well-known Iskander missiles to the latest Grom-1 models.
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This week, Russia continued its missile and drone terror against Ukrainian cities. Hundreds of Shahed-type UAVs and dozens of tactical missiles were launched every day — from the well-known Iskander missiles to the latest Grom-1 models.
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Photo Stories
31.3.2026
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“Carrying the Light” — a documentary photo project by Taras Fedorenko
“Carrying the Light” is one of the projects selected within the third annual micro‑grant program supporting Ukrainian documentary photographers, implemented by UAPP. The goal of the program is to support authors who continue to document the experience of a country resisting aggression and who create visual evidence of events shaping the history of contemporary Ukraine. The program is carried out with the support of the Embassy of the Kingdom of the Netherlands in Ukraine.
Photo Stories
31.3.2026
“Carrying the Light” — a documentary photo project by Taras Fedorenko
“Carrying the Light” is one of the projects selected within the third annual micro‑grant program supporting Ukrainian documentary photographers, implemented by UAPP. The goal of the program is to support authors who continue to document the experience of a country resisting aggression and who create visual evidence of events shaping the history of contemporary Ukraine. The program is carried out with the support of the Embassy of the Kingdom of the Netherlands in Ukraine.
Photo Stories
30.3.2026
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Iryna Kabysh: “My love for the nature of light helps me work, because photons either move or do not exist”
Photographer Iryna Kabysh explained how she captures the paradoxes of humanity — a species capable of turning global tragedies into digital content and its own existential crisis into viral memes — and why her love for the nature of light inspires her and gives her strength to nurture a new reality.
Photo Stories
30.3.2026
Iryna Kabysh: “My love for the nature of light helps me work, because photons either move or do not exist”
Photographer Iryna Kabysh explained how she captures the paradoxes of humanity — a species capable of turning global tragedies into digital content and its own existential crisis into viral memes — and why her love for the nature of light inspires her and gives her strength to nurture a new reality.
News Stories
29.3.2026
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Strike on UNESCO cultural heritage in Lviv, and the shelling of Dnipro and Odesa: intensified Russian air attacks on Ukraine
The last week of March will be remembered for unprecedented drone attacks that swept across almost every region of Ukraine, both day and night. On 24 March, Russian forces carried out the most massive UAV strike on Ukraine to date, launching nearly 1,000 drones in a single day. They targeted the centers of Ukrainian cities, cultural landmarks, maternity hospitals, and people’s homes. The historic center of Lviv was among the sites damaged. One of the most tragic episodes occurred near a maternity hospital in Ivano-Frankivsk, where a father and his daughter were killed while visiting his wife, who had just given birth. It was also a devastating week for Dnipro and Odesa — Russian drones struck residential buildings and a medical facility. Over the course of the week, three maternity hospitals became targets of Russian attacks, and at least four kindergartens were damaged.
News Stories
29.3.2026
Strike on UNESCO cultural heritage in Lviv, and the shelling of Dnipro and Odesa: intensified Russian air attacks on Ukraine
The last week of March will be remembered for unprecedented drone attacks that swept across almost every region of Ukraine, both day and night. On 24 March, Russian forces carried out the most massive UAV strike on Ukraine to date, launching nearly 1,000 drones in a single day. They targeted the centers of Ukrainian cities, cultural landmarks, maternity hospitals, and people’s homes. The historic center of Lviv was among the sites damaged. One of the most tragic episodes occurred near a maternity hospital in Ivano-Frankivsk, where a father and his daughter were killed while visiting his wife, who had just given birth. It was also a devastating week for Dnipro and Odesa — Russian drones struck residential buildings and a medical facility. Over the course of the week, three maternity hospitals became targets of Russian attacks, and at least four kindergartens were damaged.
Photo Stories
25.3.2026
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“Pre Mortem” — a documentary project by Semen Kuchvara
“Pre Mortem” is one of the projects selected within the third annual micro‑grant program supporting Ukrainian documentary photographers, implemented by UAPP. The goal of the program is to support authors who continue to document the experience of a country resisting aggression and who create visual testimonies of events shaping the history of contemporary Ukraine. The program is carried out with the support of the Embassy of the Kingdom of the Netherlands in Ukraine.
Photo Stories
25.3.2026
“Pre Mortem” — a documentary project by Semen Kuchvara
“Pre Mortem” is one of the projects selected within the third annual micro‑grant program supporting Ukrainian documentary photographers, implemented by UAPP. The goal of the program is to support authors who continue to document the experience of a country resisting aggression and who create visual testimonies of events shaping the history of contemporary Ukraine. The program is carried out with the support of the Embassy of the Kingdom of the Netherlands in Ukraine.
Photo Stories
23.3.2026
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Donetsk 2006. A photo series by Dmytro Kupriian about a lost city
Dmytro Kupriian is a Ukrainian photographer, artist, and serviceman. He documents not only moments of the war but also its impact on places and people. Today, Kupriian speaks about his series of photographs taken twenty years ago in the city of Donetsk — about how photography helps preserve the memory of territories that others are trying to take from us, what the atmosphere in Donetsk was like after the Orange Revolution, what questions can be asked of the people who still live there, and whether it is possible to find answers to them today.
Photo Stories
23.3.2026
Donetsk 2006. A photo series by Dmytro Kupriian about a lost city
Dmytro Kupriian is a Ukrainian photographer, artist, and serviceman. He documents not only moments of the war but also its impact on places and people. Today, Kupriian speaks about his series of photographs taken twenty years ago in the city of Donetsk — about how photography helps preserve the memory of territories that others are trying to take from us, what the atmosphere in Donetsk was like after the Orange Revolution, what questions can be asked of the people who still live there, and whether it is possible to find answers to them today.
News Stories
22.3.2026
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Destroyed infrastructure, civilians kept in fear: a week of Russian drone attacks
Russia has sharply intensified drone attacks in border and frontline regions. Throughout the week, air‑defense forces worked to intercept enemy UAVs over the capital. Drones also reached the western and central regions of the country. The enemy targeted railway, energy, and port infrastructure, industrial facilities, residential buildings, and civilian transport. Toward the end of the workweek, drones launched a massive attack on Odesa. Over the weekend, enemy strikes completely cut off power to Chernihiv and most of the region. The aftermath of the devastating drone attack on Odesa is captured in photo reports by documentarians Oleksandr Himanov and Tymofii Melnykov.
News Stories
22.3.2026
Destroyed infrastructure, civilians kept in fear: a week of Russian drone attacks
Russia has sharply intensified drone attacks in border and frontline regions. Throughout the week, air‑defense forces worked to intercept enemy UAVs over the capital. Drones also reached the western and central regions of the country. The enemy targeted railway, energy, and port infrastructure, industrial facilities, residential buildings, and civilian transport. Toward the end of the workweek, drones launched a massive attack on Odesa. Over the weekend, enemy strikes completely cut off power to Chernihiv and most of the region. The aftermath of the devastating drone attack on Odesa is captured in photo reports by documentarians Oleksandr Himanov and Tymofii Melnykov.

Photo Stories

This section features the best images of the month, interviews with photographers, and in-depth visual stories. Discover compelling narratives and events through the lens of our talented authors.

Photo Stories
23.8.2025
Crimea Island
Photo Stories
19.8.2025
New voices of the war: young Ukrainian photographers
Photo Stories
17.8.2025
A place where care is born. Boiler rooms of the city of Kherson in photographs by Stanislav Ostrous
Photo Stories
16.8.2025
Oleg Petrasyuk: “Chasiv Yar is a story about how the struggle continues.”
Photo Stories
16.8.2025
March of Saints
Photo Stories
10.8.2025
«Time takes a photo and gives it meaning that cannot be immediately understood and seen», — Roman Zakrevskyi

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